Various phases have emerged in the development of Modern African poetry, each with its poets and ideology. These phases are the pioneer phase, the modernist phase and the contemporary phase. This paper swiftly traces the origin, development and features of what today is called modern African poetry. It treats Modern African Poetry as an offspring of the African oral traditions and the African colonial experience, and as a reactionary tool against the whips of neo-colonialism in African states.
This essay attempts a moral criticism of Americanah and provides a rationale for its offensiveness. With the provocative ending given to the novel, this essay maintains the stance that Adichie engages in an intentional distortion of what is considered rational and moral in Africa not to leave the African reader offended, but to stir an anger in him and give him a deeper conviction of the morality he truly stands for.
ABSTRACT Nigerian novelists and filmmakers deploy cultural codes to communicate certain messages and create a genuinely Nigerian narrative art recognisable to the reader and viewer. Even when the process of conveying a message seems overt, certain messages are still artistically encoded for the reader and viewer to crack. Consequently, this study critically elucidates how cultural signs convey meanings in Chika Unigwe’s Night Dancer (a novel) and Kunle Afolayan’s October 1 (a film), whic...
