Abstract The aim of the study was to explore the frames used in the representation of black women in two western films namely ‘The Help’ (2011) and ‘Django Unchained’ (2012). A qualitative research approach was used and data was collected through Questionnaires, Archival research and personal Observations methods. The study was also informed by Framing and Audience Reception theories. The study found out that black women are depicted as slaves and domestic workers working under white ...
ABSTRACT The study focused on the Social Darwinist ideology, racism and conflict in selected Hollywood films about Africa looking at the case study of Tears of the Sun, Hotel Rwanda and Blood Diamond. The aim of the study was to interrogate the interaction of Social Darwinist ideology, race and conflict in selected Hollywood films about Africa with sub-objectives of establishing perceptions, determining conflict interpretations, assessing racial perspectives, identifying filmic techniques use...
ABSTRACT This research is an investigation on the professionalism and acting levels in Zimbabwe, a case study of Fair Take Media. The research looks at the acting approaches that are used in Zimbabwe and as well in developed countries, their similarities and how they have been implemented in the Zimbabwean film industry as compared to the other competitive film industries around the globe. Most importantly, this study also exhausts the ways of improving these methods in the Zimbabwean film in...
ABSTRACT Ngugi wa Thiong’o is known throughout the world for his writing of novels, e.g. Petals of Blood (1977) and critical essays, e.g. Delolonising the Mind (1994). With the writing of The Trail of Dedan Kimathi (1977), in collaboration with Micere Mugo, he became known as a playwright as well. The two community plays, I Will Marry When I Want (1982) and Mother, Sing for Me, brought focus to indigenous Kenyan theatre. They were created and performed by the Kamiriithu-villagers in the the...
ABSTRACT CANDIDATE’S DISSERTATION AN ANALYSIS OF POLICIES, PRACTICES AND TRENDS IN NAMIBIAN THEATRE IN THE LATE 20TH CENTURY, WITH SPECIFIC EMPHASIS ON THE WORK OF BRICKS, FREDERICK PHILANDER AND ALDO BEHRENS The study was carried out under the supervision of Prof. Christo Botha (Main Supervisor, UNAM) and Dr. Meredith Palumbo (Co-Supervisor, UNAM). The study aimed to demonstrate the ways that theatre in Namibia was conceptualized, managed and performed from the mid-1980s to the turn of the...
ABSTRACT Branding in the theatre seeks to connect a theatre company and its product to its audience. This is with the aim of achieving a company‟s mission and audience satisfaction. Though generally not much attention has been paid to branding in theatre practice, however, it is important to note that a few theatre practitioners are working towards improving this aspect of theatre. Amongst the groups and companies who engage in theatre practice in Ghana, Roverman Productions is one of the...
ABSTRACT The purpose of this research is to explore the use of traditional symbols, especially, the Sankcfa Theory which means: it is not forbidden to go into history to validate or reclaim the past, in its entirety as a conceptual foundation which Ghanaians and other African artists have engaged in their creative representations. Most Ghanaian playwrights, in particular, during the colonial and post-colonial periods, are known to have extensively employed this concept as the main thrust of...
Abstract The purpose of this study was to satisfy the quest of uplifting the practical skills and the theoretical background of Namibian untrained actors. This research was structured to address both practical and theoretical components of the theatre process using laboratory theatre principles. The approach, the pursuit of quality theatre, resulted in the production of a play A Camel thorn and a Rhino horn. The challenge of the research was highlighting the need of the Namibian practising p...
ABSTRACT Existing written works in the field of technical theatre have not advanced much as compared to that of dramatic literature in Ghana. A number of researches and publications have been made on Ghanaian theatre and literature, which basically dwell more on the history and development of the Ghanaian Concert Party traditions, the Ghanaian theatre forms, Ghanaian playwrights and various acting troupes or players. However, it appears very little has been said on the technical aspects; the ...
ABSTRACT This study sought to find out the profile of readers of Graphic Showbiz, an arts and entertainment newspaper, especially as it relates to students and workers. Mass media audiences comprise individuals who select the media among other available sources to satisfy specific needs. For this reason one area of media studies, which has had a great deal of attention, is newspaper readership. Owing to the large number of subject areas that newspapers cover, it can be understood that readers...
ABSTRACT Theatre has been with humanity over the centuries due to its importance to society. Not only is the theatre meant for fun, but also to discuss pertinent issues bothering people. Hence, many playwrights have resorted to theatre to explain philosophies, theories and instigate change in society. Theatre therefore engages the audience mentally and psychologically when issues raised in the play are of primary interest to the audience. Domestic violence has become a household name in the c...
ABSTRACT Negotiating identity is a key factor to a people surrounded by many other differences such as other ethnic groups and communities with different orientations. Such is the story of the Tabom who are African slave returnees from Brazil. The music or organised sound related to their existence helps in the creating of their unique identity as it relates to being Ga on one side, and having had contact with the outside world on the other. Agbe, the music of the Tabom is one of the avenues ...
ABSTRACT The study was embarked upon to investigate the trends and technological advancement in stage lighting with Abibigromma and the National Theatre Players as case study groups. The study becomes significant owing to the limited literature in the area of trends and technological advancement of stage lighting in the Ghanaian theatre practice. The qualitative research method is employed, which allows the use of historical, literary and case study methodologies helped to unravel the use of ...
ABSTRACT This study explores the various roles that Ananse play in Ghanaian Drama and how this folkloric character has evolved and transformed with time. The study also seeks to determine if Ananse as a folkloric character is justifiably a villain as society has most often dubbed him, or if he has other redeeming qualities which equally need to be highlighted. This thesis therefore seeks to answer the question of who Ananse really is as a folkloric character as well as what motivates his acti...
ABSTRACT The study sought to assess the promotion of theatre in Ghana, focusing on Roverman Productions as the current driving force in making theatre active. Both qualitative and quantitative research designs were employed for the study. A simple random sampling technique was used to select one hundred and twenty five (125) respondents for the study. The results from the study revealed that Roverman Productions, though is contributing to theatre promotion, however, it targets only a section ...